Giordano, Luca (1634-1705). Neapolitan painter, the most important Italian decorative artist of the second half of the 17th century. He was nicknamed Luca Fa Presto (Luke work quickly) because of his prodigious speed of execution and huge output.

  He began in the circle of Ribera, but his style became much more colorful under the influence of such great decorative painters as Veronese, whose works he saw on his extensive travels. Indeed, he absorbed a host of influences and was said to be able to imitate other artists' styles with ease. His work was varied also in subject-matter, although he was primarily a religious and mythological painter. He worked mainly in Naples, but also extensively in Florence and Venice, and his work had great influence in Italy. In 1692 he was called to Spain by Charles II and stayed there for 10 years, painting in Madrid, Toledo, and the Escorial. His last work when he returned to Naples was the ceiling of the Treasury Chapel of S. Martino. In his personal self-confidence and courtliness, and in the open, airy compositions and light luminous colors of his work, Giordano presages such great 18th-century painters as Tiepolo.


"The Forge of Vulcan" (1660) Oil on canvas, 193 x 152 cm - 76 x 59.8 in. The Hermitage, St. Petersburg, Russia.

"Crucifixion of St Peter" (1660) Oil on canvas, 196 x 258 cm - 77.2 x 101.6 in. Gallerie dell Accademia, Venice, Italy.

"St Michael" (1663) Oil on canvas, 198 x 147 cm - 78 x 57.9 in. Staatliche Museen, Berlin, Germany.

"The Rape of Europa" (1676) Oil on canvas, 25 x 34 cm - 9.8 x 13.4 in. The Hermitage, St. Petersburg, Russia.

Text source: 'Webmuseum' (

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Related Term: Baroque.


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